{"id":391,"date":"2023-08-15T21:40:37","date_gmt":"2023-08-15T21:40:37","guid":{"rendered":"https:\/\/civik.es\/?page_id=391"},"modified":"2023-08-15T21:41:21","modified_gmt":"2023-08-15T21:41:21","slug":"las-leyes-de-la-magia-brandon-sanderson","status":"publish","type":"page","link":"https:\/\/civik.es\/index.php\/las-leyes-de-la-magia-brandon-sanderson\/","title":{"rendered":"LAS LEYES DE LA MAGIA (Brandon Sanderson)"},"content":{"rendered":"\n

Curso de escritura creativa (Brandon Sanderson<\/em><\/a>)<\/p>\n\n\n

\n
\"LAS<\/figure>\n<\/div>\n\n\n

La primera ley de Sanderson<\/u><\/strong>: <\/p>\n\n\n\n

La capacidad de un escritor para resolver un problema por medio de la magia de manera efectiva, es directamente proporcional a lo bien que el lector haya comprendido dicha magia.<\/p>\n\n\n\n

La segunda ley de Sanderson<\/u><\/strong>: <\/p>\n\n\n\n

Despu\u00e9s de todo, la aportaci\u00f3n m\u00e1s original que se puede aportar a una historia es la perspectiva, y eso es algo que pertenece exclusivamente al escritor. Conviene \u00abjugar\u00bb un poco con los textos para hacerlos un poco m\u00e1s tuyos. Estas leyes pueden ayudar, pero los defectos, las limitaciones y los costes son m\u00e1s interesantes que los propios poderes.<\/p>\n\n\n\n

Defectos, limitaciones y costes<\/u><\/strong>: <\/p>\n\n\n\n

Los defectos son b\u00e1sicamente, cosas que un personaje podr\u00eda cambiar, o magia que no comprende en ese momento y que podr\u00eda resolver con un poco m\u00e1s de evoluci\u00f3n del personaje. Limitaci\u00f3n, simplemente, como su nombre indica, es la limitaci\u00f3n que tiene la propia magia. Se tiene en cuenta a la hora de usarla, pero no se intenta arreglar. Con respecto al coste, lo puedes establecer de antemano y, si tu personaje toma ese camino, le resultar\u00e1 muy dif\u00edcil y tendr\u00e1 un coste y eso crea una tensi\u00f3n muy satisfactoria. As\u00ed, al crear sistemas de magia siempre es buena idea que te hagas preguntas sobre el coste de dicha magia.<\/p>\n\n\n\n

La tercera ley de Sanderson<\/u><\/strong>:<\/p>\n\n\n\n

Antes de a\u00f1adir algo nuevo, intenta ampliar lo que ya tienes. La ideas es profundizar sobre un concepto y sus diferentes formas o ramas, en lugar de meter todo lo que se nos pase por la cabeza en un libro. Si escribes una saga extensa de fantas\u00eda \u00e9pica, lo m\u00e1s probable es que tengas que hacer esto varias veces, pero no hay tiempo de dedicarse a eso, as\u00ed que, en vez de eso, finge que se realiza, es decir, al crear una ambientaci\u00f3n, solo establece lo que sea absolutamente necesario para la trama, la parte del iceberg que se ve sobre el agua. As\u00ed, se deja entrever que hay algo m\u00e1s aunque no se muestre. Muchas veces basta con hacer esto.<\/p>\n\n\n\n

La ley cero de Sanderson<\/u><\/strong>:<\/p>\n\n\n\n

Incide siempre en lo interesante. Empieza pro la idea interesante y luego desarrolla lo dem\u00e1s hacia atr\u00e1s, de modo que todo dependa de esa idea.<\/p>\n","protected":false},"excerpt":{"rendered":"

Curso de escritura creativa (Brandon Sanderson) La primera ley de Sanderson: La capacidad de un escritor para resolver un problema por medio de la magia de manera efectiva, es directamente proporcional a lo bien que el lector haya comprendido dicha magia. La segunda ley de Sanderson: Despu\u00e9s de todo, la aportaci\u00f3n m\u00e1s original que se… Leer m\u00e1s »LAS LEYES DE LA MAGIA (Brandon Sanderson)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-391","page","type-page","status-publish","hentry"],"yoast_head":"\nLAS LEYES DE LA MAGIA (Brandon Sanderson) - A.L. 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